Colourful saturated floral tones for vibrant and joyful lifestyle portrait photography.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Flower Market
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Character and mood
Flower Market is built around colour and warmth. Not the kind that feels filtered or artificial, but the kind you notice when you step outside on a bright morning and everything looks slightly more saturated than it should. That is the tone this preset sets from the first slide. It brings a portrait to life without making it look like a different photograph.
On a technical level, Flower Market lifts saturation across the board with a stronger emphasis on reds, oranges and yellows. Shadows are kept open and detailed rather than crushed, which means the image retains depth without feeling heavy. Highlights are gently pulled back to avoid blown-out skin tones, giving faces a soft, natural glow instead of a washed-out look. The white balance sits on the warmer side of neutral, which ties the whole look together and adds to the joyful, inviting feel of the final image.
The preset performs best in colourful, light-filled environments. Flower stalls, outdoor markets, gardens, and bright courtyards are obvious fits. Lifestyle sessions in airy interiors with plants, colourful props or painted walls also work well. Lighter and medium skin tones benefit most from the warm toning, though the preset holds up across a wider range as long as the base exposure is handled well.
You reach for Flower Market when a project calls for energy and colour without losing the human element at the centre of the frame. It suits personal branding work, editorial lifestyle photography, and any portrait series where the goal is warmth and approachability. The look is confident but not loud. It feels like a place you want to be rather than a filter someone applied after the fact.
One practical tip: expose slightly to the right when shooting. Flower Market was built for images with breathing room in the highlights. A base exposure that is half a stop brighter than average gives the preset the tonal range it needs to work properly. If you start from an underexposed file, you risk losing colour and detail in the shadows that the preset cannot recover.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.
