Warm film grain and cinematic tones for the gritty 1970s cinema aesthetic.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Kino Filter
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Character and mood
The Kino Filter smells like celluloid and worn leather. It brings the mood of 1970s American cinema to your photographs. Not by hiding what's there, but by adding weight to it. The grain bites, the colors run warm without going soft, and the contrast carries that deep filmic black that digital sensors rarely produce on their own.
Technically, the preset lifts the shadows toward a cool brown-black while pushing the midtones into amber and gold. The highlights shift slightly cooler, creating a subtle split-tone that reads immediately as analog film. The grain is coarse enough to be visible without becoming noise. Contrast is concentrated in the midrange, with detail deliberately preserved in the darkest zones. Warm tones like orange and red gain presence. Cool tones like blue and green are muted, pulling toward an olive-brown cast.
The Kino Filter works best with available light. Street photography at dusk, portraits in a bar or workshop, close-ups of faces with visible texture and age. Scenes with hard shadows and a warm light source respond well, as does architecture in industrial or urban settings. Avoid it on bright nature shots or scenes dominated by blue sky. Those lose color and clarity without gaining anything in return.
You reach for the Kino Filter when you want a photo that feels like a frame pulled from a film reel. When atmosphere matters more than technical sharpness. It suits photography that tells something, holds some discomfort, or shows a person shaped by time. It is not the right tool for a sunlit wedding or a product shoot, but for the raw and the real it lands exactly where it should.
One practical tip: after applying the preset, check your shadow areas before adjusting anything else. The preset sets shadows at a fixed level, and if your original image was already underexposed, you may lose detail in the darker zones. Drag the Shadows slider gently to the right until texture reappears in those areas, then fine-tune Exposure from there. That way the photo keeps its cinematic character without going completely dark.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.