Icy deep blue for glaciers and icebergs.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Glacier blue
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Character and mood
Glacier Blue sets the mood from the first second. No warmth, no golden tones. Just the cold, silent blue of ice that has been forming for thousands of years. This preset was built for landscapes that feel beyond human scale, places where you stand small and the world stands very still.
The preset pulls the color temperature down and shifts blue and cyan tones toward a deeper, more saturated blue. Highlights stay bright but cold, without clipping. Shadows gain a little density, which helps the texture of ice and frozen water come forward in the image. Contrast is lifted in a way that emphasizes structure without burning out the fine detail in snow and glacial surfaces. The overall result feels measured and quiet.
Glacier Blue works best on photographs of glaciers, icebergs, frozen lakes and polar landscapes. Arctic and Antarctic scenes with large open skies respond well to the preset. Think of a tabular iceberg rising from the water, a glacial crevasse showing layers of compressed ice, or a frozen riverbed shot in early morning light. Scenes with a lot of brown, green or warm skin tones are less suitable. Those colors will shift in a way that looks unnatural.
You reach for Glacier Blue when you want the viewer to feel the location, not just recognize it. The preset does not overpower the original image. It reinforces the atmosphere that is already there. If your shot already has a cool base, Glacier Blue takes it the rest of the way. If the image came out slightly warm because of overcast light or an automatic white balance decision, the preset corrects that and adds character at the same time.
One practical tip: adjust exposure on a per-photo basis after applying the preset. Ice and snow consistently fool camera metering systems, so shots tend to come out slightly underexposed or overexposed. Use the exposure slider in Lightroom to bring the image to the right level before letting the preset do its work. A small shift of plus or minus one third of a stop is often enough to take a flat result and turn it into something that holds attention.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.