Sport

Industrial gym floor, epoxy surface, steel grey and black. High contrast, sweat and grit. Documentary sports photography without glamour.

€3.99 incl. 21% VAT
  • XMP · Lightroom Classic, CC & Camera Raw
  • .costyle · Capture One
  • .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Hyrox – Iron Floor
Sport

Hyrox – Iron Floor

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Or test Hyrox – Iron Floor on your own photo

Color rendering varies per monitor and camera model. Your photo is not saved.

Character and mood

Iron Floor smells like rubber and metal. It is the preset for sports photos that feel like you were there, not like they came out of a brand campaign. No warm tones, no gentle glow. Just the gym as it is: cold, hard and honest.

The preset pulls the shadows deep and keeps the highlights tight. Between those two points, a high contrast emerges that shows muscle tension, the shine of sweat on skin, the texture of an epoxy floor under the weight of athletes. Colors shift toward steel blue and anthracite. Skin tones stay readable but lose the warmth that makes documentary photography feel too soft. Clarity goes up, dehaze comes in quietly. Every detail holds.

Iron Floor works best at Hyrox events, CrossFit boxes, weightlifting gyms and industrial sports venues. Scenes with artificial light, concrete walls, steel racks and black floors. Powerlifting, track cyclists in a velodrome, boxers in a windowless hall, these all respond well to this preset. The environment does not need to be clean. The mess is part of the point.

You choose Iron Floor when you want sports photography that feels documentary, not commercial. When the moment matters and the location adds to the story. When you want to show the athlete as they feel, not as a brand wants them to appear. The preset strengthens what is already there. It does not invent anything.

One practical tip: adjust exposure per photo before you apply the preset. Iron Floor is built for correctly exposed or slightly underexposed images. An overexposed photo loses too much texture in the highlights, and that texture is exactly what the preset works with. When in doubt, expose a third to half a stop under your meter reading.

Installation

Lightroom Classic & CC (desktop)

Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.

Lightroom Mobile

Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.

Capture One

Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.

DaVinci Resolve / Premiere Pro (3D LUT)

Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.

What's in the download?

.xmp Lightroom Classic, CC & Camera Raw
.costyle Capture One 21+
.cube 3D LUT for video (DaVinci, Premiere)
.pdf Installation instructions (step by step)
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