Strong shadows, silhouettes, people as elements in a composition. The street as a graphic play of light and dark. This is the preset for the moment when geometry and human coincide — and you are in the right place.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Tension
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Color rendering varies per monitor and camera model. Your photo is not saved.
Character and mood
Tension is a preset for photographs that ask for quiet. Not the quiet of an empty frame, but the quiet of a moment where everything falls into place. A figure in a dark doorway. A shadow cutting a street in half. Someone just stepping into the light. The preset strengthens what is already there and removes what distracts.
Technically, Tension works with deep shadows and increased contrast. Dark tones go genuinely dark, sometimes near black, so that bright areas stand out more sharply. Colour pulls back: warm tones become more subdued, cool tones take on a hint of grey. The result is an image that feels graphic without drifting too far from realism. Highlights are preserved but do not blow out. The midtones carry the story.
This preset works best with hard, directional light. Think of the exit of a tunnel, a side street in backlight, a market hall with high overhead daylight cutting through. Silhouettes come fully into their own. Patterns on the ground, shadows from lamp posts, people walking through a shaft of light: those are the scenes Tension was made for. It works in both colour and black and white, but in black and white the impact is strongest.
You reach for Tension when composition and light are already doing something in the frame. The preset does not create drama where there is none. What it does do is sharpen the statement of a photograph that already has one. If you notice while editing that the shadow areas lack depth, or that an image feels slightly flat, this is the right starting point.
A practical tip: after applying the preset, use the Exposure slider in Lightroom to dial it in for your specific shot. Not to undo what the preset does, but to align it with your exposure. A small adjustment between minus 0.3 and plus 0.3 already makes a noticeable difference. The preset is a starting point, not a finished edit.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.