Typically Dutch misty dike tones for authentic and flat-poetic coastal photography.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Dike Mist
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Character and mood
Dike Mist is not a preset for dramatic skies or vivid colors. It was made for the quiet of an early morning by the water, for that moment when the mist has not yet lifted and the light seems to come from nowhere in particular. The tones are restrained, almost matte, with a cool undertone that places you immediately in the atmosphere of the Dutch coast. Not overwhelming. Not imposed. Just recognizable.
Technically, Dike Mist pulls the highlights down and lifts the shadows slightly. The result is a compressed, soft contrast that handles mist and flat light very well. Colors are desaturated toward cool grey-blue and broken white, particularly in the green and cyan channels. That creates the kind of coastal fade where grass, water, and sky seem to blend into each other. Blacks stay soft, never hard. The curve is deliberately calm so you still have room to steer from there.
The preset works best on images with diffuse light: morning mist, overcast days, golden hour just before the sun breaks through. Dike paths, reed fields, empty beaches, small harbors, meadows under low cloud cover. Outdoor environmental portraits also work well, especially when the background consists of sky or water. Sharp midday sun is less suited, unless you specifically want to use the preset to soften that harshness.
You reach for Dike Mist when you want to give a series of photos a consistent, quietly poetic look without it appearing heavily edited. It also works well as a starting point for black-and-white conversion. The color desaturation is already largely built into the preset, so you only need a small step to go fully monochrome. That makes it versatile for photographers who want to process both color and black-and-white images from a single session.
A practical tip: start with exposure. Dike Mist is calibrated for a neutrally exposed file. If your raw image is slightly darker or brighter, adjust the exposure first before applying the preset. That prevents highlights from clipping or shadows from going too flat. After that, try playing with color temperature. A touch warmer adds a little more atmosphere in morning light, a touch cooler strengthens the mist effect on overcast days.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.