Minimalist and quiet — muted grey tones for images that find beauty in emptiness.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Emptiness
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Character and mood
Emptiness is a preset for photographs where silence carries the story. No saturated colours, no hard contrast competing for attention. Just muted grey tones, a quiet midrange and a restrained atmosphere that gives your image room to breathe. If you shoot scenes where absence matters as much as presence, this preset fits the work.
Technically, Emptiness pulls exposure back slightly and keeps the blacks open rather than deep, avoiding any harsh shadows. Highlights are tamed so bright areas don't blow into hard white patches. Colours lose saturation without going fully monochrome: a faint warmth or coolness lingers in the midtones, depending on what your original file holds. Contrast is deliberately low, producing a flat, almost filmic tonal range. Not muddy, just composed.
The preset works well with empty streets shot in early morning light, abandoned interiors, foggy or overcast scenes, architecture with open sky around it, and portraits where you want the background to dissolve into a calm, neutral plane. Abstract compositions, texture close-ups and muted urban scenes all respond well too. The common thread is always the same: less is more, and this preset reinforces that intention.
You reach for Emptiness when a photo already leans this way but the colours feel too present or the contrast introduces tension you don't want. The preset removes that tension without stripping the image of weight. It also works as a starting point when you are thinking about a quieter, more considered visual language for a series or a portfolio as a whole.
A practical tip: after applying the preset, adjust exposure individually for each image. Emptiness is calibrated for an average exposure, but with frames that are already on the brighter side, a small correction of around minus 0.3 to minus 0.5 stops often makes the difference between flat and just right. Try shifting white balance slightly cooler too, somewhere between 200 and 300 K down from your current setting, for an even stiller result.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.