Dark and industrial with deep shadows for authentic garage and workshop photography.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Engine Oil
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Character and mood
Engine Oil has a weight to it. A mood that sits somewhere between a bare concrete floor and a tungsten work light. This preset is built for the kind of places where things get made, fixed, and worn down. The look is dark and industrial, with a color palette that feels like it belongs in a garage that has seen decades of use. Not gritty for the sake of it, but honest about the texture of working spaces.
Technically, the preset pulls the highlights down and lets the shadows go deep. Blacks become dense. Midtones shift toward a cool, slightly metallic tone, while warmer hues like orange and amber are dialed back just enough to feel aged rather than vivid. The contrast is deliberate but not harsh. It lives in the lower tones, giving the image weight without crushing detail. Overall saturation drops slightly, which makes rust, grease, and faded paint look like they have a history.
Engine Oil works best where machines, metal, and manual labor are the subject. Car workshops, shipyards, factory floors, building sites. It also handles well in adjacent spaces: a weathered loading dock, an alley with oil-stained asphalt, a storage unit full of old equipment. For portraits, it works when the person belongs to that world. A mechanic wiping down a wrench, a welder between passes. The preset needs context to make sense. Put it on a clean, well-lit subject and the disconnect shows.
Choose Engine Oil when you want the viewer to feel the weight of a scene, not just see it. The preset works best when the atmosphere is already there in the light and composition. It adds a layer that ties everything together. It does not manufacture mood where none exists. Think of it as a finishing coat, not a foundation.
One practical tip: underexpose by a third of a stop when shooting. Engine Oil performs best when shadows already have depth before the preset is applied. When you bring the image into Lightroom, adjust overall brightness with the Exposure slider rather than the preset controls. That way the tonal balance stays intact and you get the full effect of the deep shadow work the preset is built around.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.