High-contrast and sharp for motorsport — the tension of speed and adrenaline in one preset.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Race Sport
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Character and mood
Race Sport is not a preset for soft tones or quiet scenes. It was built for the noise of engines, the smoke above the tarmac, and that split second when a car or bike flies past you. The look is hard, direct, and full of tension. Exactly what motorsport feels like.
Technically, the preset works from a high-contrast base. Dark tones go deeper, bright areas stay light but gain more edge. Colors are saturated without going overboard, with an emphasis on warm tones like yellow, orange, and red. Those colors are already in motorsport, in the rubber, the bodywork, the exhaust flames. The preset amplifies what is already there. Sharpening is set slightly higher too, so sponsor logos on a car's side panel and texture in the road surface stay visible. The final result carries the energy you feel trackside, captured in a still image.
The preset works best on photos with movement, or with a clear subject that stands out sharply against the background. Think of cars on a circuit, bikes taking a corner, kart racers in the rain, or rally cars on gravel roads. Pit lane shots work well too, precisely because the contrast between shadow and hard light is already high there. Portrait shots of drivers or mechanics in racing gear can work with this preset as well, though the feel will be heavier than with a more subtle look.
You reach for Race Sport when you want a photo to radiate the speed you felt while standing there. Not every shot calls for it, but when the action is the main story and the atmosphere is charged, this preset fits. It also suits content for social media or magazines that need a strong visual language.
A practical tip: on photos shot in low-contrast conditions, like overcast skies or a wet track, try lifting the exposure slightly after applying the preset. The dark tones are already heavy, and if the base image is too dark you will lose shadow detail. After that, pull the highlights back a little if the sky is blowing out. That way you get the most from the preset without pushing the edit too far.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.