The day settles down. There is enough. Amber evening light, a soft grain, urban atmosphere without the chill. Judith Herzberg wrote about ordinary life with a warm gaze. For street photography and portraits in twilight. Inspired by the atmosphere of Judith Herzberg's work. Not affiliated with or endorsed by the author.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Dusk
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Character and mood
Herzberg is a preset for the hour when the day begins to let go. Amber light falling through streets, people walking home, a city shifting into a different register. The mood is warm but not sweet, familiar but not ordinary. Judith Herzberg wrote about everyday people in everyday situations, paying attention to what moves beneath the surface. That same gaze lives in this preset: a look that finds something in the ordinary.
Technically, Herzberg lifts the midtones slightly and keeps the deepest shadows from going fully black. That creates a soft, restrained look without losing structure. Highlights are pulled down to limit blown areas, which helps especially with artificial light or backlight on the street. Colors shift toward amber and light sienna, while blues are subdued without disappearing entirely. The contrast is deliberate and never harsh. Over all of that sits a layer of grain that blends naturally at ISO 800 and above, meeting what the sensor already captured.
This preset works best for street photography during the evening hour and for portraits in soft, indirect light. Think of a face lit by a shop window, a figure against an evening street, two people talking on a lit terrace. Interiors with warm artificial light also respond well. The preset is less suited to strong midday sun or scenes with a lot of green in the frame, because the color grading is not calibrated for that.
You reach for Herzberg when you want a photo that feels like a quiet evening worth remembering. Not dramatic, not processed for effect. Just present. The preset works well as a starting point and sometimes asks for a small adjustment to exposure or white balance, depending on how warm your light source already was.
A practical tip: if you shoot in RAW, try setting your white balance slightly cool before applying Herzberg, somewhere between 4800 and 5500 Kelvin. The preset adds warmth on its own, and if your starting point is already warm, the result can read too yellow. Starting from a neutral or slightly cool base lands you exactly in the amber evening tone the preset is meant to give.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.