Black & White

True black and white with a yellow filter. The sky deepens a little while skin stays naturally light. A calm, classic tonality to start from.

Subscription only
  • XMP · Lightroom Classic, CC & Camera Raw
  • .costyle · Capture One
  • .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
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Safelight
Black & White

Safelight

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Color rendering varies per monitor and camera model. Your photo is not saved.

Character and mood

Safelight is a black and white preset with the quiet confidence of analogue work. No heavy-handed contrast, no forced atmosphere. Just a clean, classic tonality that gives your photo room to breathe. The name references the red light of the darkroom, but the preset itself works with a simulated yellow filter. That gives it a sense of familiarity, something that feels like it has always existed.

The yellow filter is what sets this preset apart technically. Yellow absorbs blue light, which means a blue sky becomes slightly deeper and heavier in the final conversion. Not dramatic, not overblown, but noticeably present. At the same time, the filter treats red and orange tones gently. Skin does not go dark or harsh. It stays light and open. The contrast in the midtones is built up carefully, with soft shadows that hold detail. The result is a black and white that does not shout, but pulls you in.

The preset works well for portraits on location, daytime street photography, and scenes with a partly cloudy sky. Exactly those situations where you want the sky to carry a little more weight without the rest of the image suffering for it. Architecture in urban environments responds well too, because the texture of stone and concrete stays clear while shadows gain volume. On interior shots with windows it is less at home, but outside is where it belongs.

You reach for Safelight when you want a photo that feels timeless without performing as art. When you want the atmosphere of a film roll from the seventies, but without the grain and without nostalgia as a goal in itself. The preset is a starting point, not a finished product. It suits photographers who work at their own pace and do not want their editing to draw attention to itself.

One practical tip: after applying the preset, adjust the exposure before you touch contrast or clarity. Safelight favours well-exposed originals. Underexposed files can go a little flat in the shadows. Expose slightly more generously than usual and you get exactly those soft, open midtones the preset is built around.

Installation

Lightroom Classic & CC (desktop)

Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.

Lightroom Mobile

Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.

Capture One

Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.

DaVinci Resolve / Premiere Pro (3D LUT)

Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.

What's in the download?

.xmp Lightroom Classic, CC & Camera Raw
.costyle Capture One 21+
.cube 3D LUT for video (DaVinci, Premiere)
.pdf Installation instructions (step by step)
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