10 presets
Ten monochrome looks from the darkroom: black and white with yellow, red and green filters, hard and soft contrast, washed out and gritty, plus real toning in sepia, silver and copper. No desaturation, but deliberate greyscale with a tint laid over it.
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Darkroom
About Darkroom
Industrial is about material. Rust, concrete, glass, steel, weathered wood. The eight presets in this pack are built around one visual choice: texture over sheen. Contrast is high, colours are muted and shift toward ochre, umber and slate. The result is a palette that feels like the places themselves, not like a filter laid on top of them.
These presets are made for photographers who work in environments where time has left its mark. Abandoned factories, harbour districts, industrial corridors, concrete car parks, neglected courtyards. Architecture photographers who are not after blue skies and clean facades, but after the patina of use, will also find their starting point here. And street photographers working in urban decay: the presets keep human detail intact while the background holds on to its raw character.
The pack works best on images with rich texture in the subject, uneven lighting or hard side light, and scenes with naturally limited colour information. Think close-ups of rusted metal sheet, wide-angle shots of abandoned factory halls, or portraits taken on location with an industrial background. Scenes with a lot of green or warm skin tones as the dominant colour will need more manual correction, but are not off-limits by definition.
What makes the eight presets stronger as a pack than as separate files: they share the same contrast curve and colour temperature logic. You can run a series of images from the same location through different presets and still build a coherent set. Light variants next to dark ones, close-ups next to wide shots. They speak the same visual language, even when exposure conditions varied between frames.
In practice, the quickest way to work with the pack is to open a few representative images from your shoot and test the presets as quick shortcuts. Industrial works well as a starting point for manual adjustment: you correct the exposure, touch the white balance if needed, and you are done. The presets are not meant to finish a photo completely, but to move you in the right direction fast. Export from Lightroom Classic or use the mobile version for quick edits on the go.
What's included in the download?
Presets for Lightroom Classic and Lightroom Desktop. Import via the Presets panel in the Develop module. Works on RAW and JPEG.
Capture One styles. Import via the Styles panel. Compatible with Capture One Pro and Capture One Express for Sony, Fujifilm and Nikon.
3D LUT for use in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro and other video software. Also works in Photoshop via Camera Raw or as a Color Lookup adjustment layer.
Installation instructions for Lightroom, Capture One and video software. Step by step.
Installation
Lightroom Classic (.xmp)
Open Lightroom Classic and go to the Develop module. In the Presets panel, click the plus icon and choose "Import Presets". Select the .xmp files from the unzipped folder. After import the presets appear in your chosen folder and are immediately available for all photos in your library.
Lightroom (mobile and desktop app)
Open a photo in Lightroom. Tap "Presets" at the bottom, then tap the three-dot menu in the top right. Choose "Import Presets" and select the .xmp files. On mobile, access this via the three dots at the top of the edit screen. Presets sync automatically to all your devices via Adobe Creative Cloud.
Capture One (.costyle)
Open Capture One and go to the Styles panel in the Color tool. Click the arrow menu next to "Styles" and choose "Import Styles". Select the .costyle files. The styles are then immediately available in the Styles panel and can be applied to any selected photo or multiple photos at once.
DaVinci Resolve / Premiere Pro (.cube)
Copy the .cube files to a fixed folder on your drive. In DaVinci Resolve add a Color LUT node and import the .cube file by right-clicking the node. In Premiere Pro use the "Lumetri Color" effect and under "Creative" choose the "Look" option to load the .cube file. The LUT also works in Final Cut Pro via an FCPX Plugin or in Photoshop as an adjustment layer.