For ink, screen and paper. Graphic and firm with carbon-black shadows, an indigo cast and a muted crimson accent. High contrast against an off-white.
- XMP · Lightroom Classic, CC & Camera Raw
- .costyle · Capture One
- .cube · 3D LUT (DaVinci Resolve, Premiere Pro)
This preset is part of the premium pack Crafts and downloads with a subscription only. All 393 presets included from €49/year.
Printworks
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Character and mood
Printworks looks like a photograph that went through a press. Not as a filter, but as a deliberate choice. The palette is stripped back to what matters: carbon-black shadows, a quiet indigo cast in the darks, and a muted crimson that surfaces wherever there is red in the scene. Set against an off-white ceiling on the highlights, everything gains weight. It is a graphic preset, firm in character, without being loud about it.
Technically, Printworks works through hard contrast. The deepest shadows drop close to black, while the highlights are pulled back on purpose. That off-white keeps bright surfaces from blowing out, so texture stays visible in skin, fabric and paper. The colour treatment is restrained but decisive: the blue shift in the shadows gives the image something of ink on paper. The crimson accent is not heavy-handed. It only draws attention when real reds are present in the frame, lips, clothing, neon signs.
This preset works well with street photography that has strong shadows and clear geometry: colonnades, staircases, alleyways, figures in backlight. It also suits portraits made in hard or controlled light, especially against dark backgrounds that give the subject somewhere to recede into. Documentary images in industrial or urban settings benefit from the graphic quality. Market scenes, workshops, anonymous crowds in public spaces all respond well to this treatment.
You reach for Printworks when you want a photograph that feels like a print. Not filmic, not nostalgic, but graphic and direct. When you are editing a series that needs to hold together, this preset gives a consistent tone that reads like printed photography. Photobooks, zines, exhibitions, it is a solid starting point for any of those.
A practical note: lower your exposure by a third of a stop before applying the preset. Printworks is strongest when the shadows already have some density rather than being empty. Overexposed frames lose the contrast that gives the preset its character. Expose for the highlights and let the preset handle the shadows.
Installation
Lightroom Classic & CC (desktop)
Unzip the downloaded file on your computer. Open Lightroom Classic and go to the Develop module. Right-click the Presets panel, choose 'Import Presets', and select the .xmp file. The preset appears in your list immediately and can be applied to any photo straight away.
Lightroom Mobile
Lightroom Mobile syncs presets via the cloud. Import the .xmp file into Lightroom CC on your desktop first. Once cloud sync completes, the preset is automatically available on your phone or tablet. An Adobe CC subscription is required for this sync feature.
Capture One
Unzip the file. Open Capture One and navigate to the Styles panel. Click the arrow next to 'Styles' and choose 'Import Style'. Select the .costyle file. The style is available in your library immediately. Works with Capture One version 21 and later.
DaVinci Resolve / Premiere Pro (3D LUT)
Copy the .cube file to your application's LUT folder. In DaVinci Resolve via Project Settings → Color Management → LUT folders. In Premiere Pro via the Lumetri Color panel → Creative tab → Look → Browse. The LUT works on both LOG and standard exposed video footage.