8 presets

Eight presets for corporate photography: headshots, LinkedIn portraits and business photography. Neutral to slightly cool, colour-accurate, without drama.

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Office
Pack

Office

About Office

The eight presets in Office share one starting point: restraint. No bold colour shifts, no heavy contrast, no dramatic shadows. What you get is a neutral to slightly cool tone that renders skin accurately and keeps backgrounds where they belong. The common thread is colour fidelity. Whether you are editing five headshots or a full day of corporate reportage, the presets stay consistent enough to use across one assignment without the results looking mismatched.

Office is made for photographers who work with business clients. Think of the photographer spending a day on location at a consulting firm, shooting a row of headshots for a new team, or making LinkedIn portraits for freelancers. It also works well for recruiters, law firms or companies that want a clean, uniform look across their staff pages. The client expects no artistic surprises. That expectation is where these presets begin.

The presets perform best on portraits taken in office environments, meeting rooms, reception areas and locations with flat or diffused light. Window light, softboxes, ring lights: all work well. Outdoor shoots are fine too, as long as the light is not too warm or too variable. The look fits what you see on professional profile pages and company websites: clear, clean, straightforward.

Individual presets give you a starting point. A collection gives you a system. The eight presets in Office are calibrated against each other in terms of white balance, contrast curves and colour tone. That means you can switch between variations during your edit without the photos looking like they were processed by different photographers. One click per image, a small exposure adjustment, and your series holds together.

Load the presets into Lightroom Classic, Lightroom CC or Camera Raw. On your first assignment, do a test export of two or three images to see how the preset responds to your specific camera files and lighting conditions. Most users then only adjust exposure per image. Save your tweaks as user presets if you want even more consistency. Within a few assignments you will have a small library that fits your way of working.

What's included in the download?

.xmp

Presets for Lightroom Classic and Lightroom Desktop. Import via the Presets panel in the Develop module. Works on RAW and JPEG.

.costyle

Capture One styles. Import via the Styles panel. Compatible with Capture One Pro and Capture One Express for Sony, Fujifilm and Nikon.

.cube

3D LUT for use in DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro and other video software. Also works in Photoshop via Camera Raw or as a Color Lookup adjustment layer.

.pdf

Installation instructions for Lightroom, Capture One and video software. Step by step.

Installation

After your purchase you receive a download link by email. Unzip the file and import the presets using the steps below.

Lightroom Classic (.xmp)

Open Lightroom Classic and go to the Develop module. In the Presets panel, click the plus icon and choose "Import Presets". Select the .xmp files from the unzipped folder. After import the presets appear in your chosen folder and are immediately available for all photos in your library.

Lightroom (mobile and desktop app)

Open a photo in Lightroom. Tap "Presets" at the bottom, then tap the three-dot menu in the top right. Choose "Import Presets" and select the .xmp files. On mobile, access this via the three dots at the top of the edit screen. Presets sync automatically to all your devices via Adobe Creative Cloud.

Capture One (.costyle)

Open Capture One and go to the Styles panel in the Color tool. Click the arrow menu next to "Styles" and choose "Import Styles". Select the .costyle files. The styles are then immediately available in the Styles panel and can be applied to any selected photo or multiple photos at once.

DaVinci Resolve / Premiere Pro (.cube)

Copy the .cube files to a fixed folder on your drive. In DaVinci Resolve add a Color LUT node and import the .cube file by right-clicking the node. In Premiere Pro use the "Lumetri Color" effect and under "Creative" choose the "Look" option to load the .cube file. The LUT also works in Final Cut Pro via an FCPX Plugin or in Photoshop as an adjustment layer.

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